1、1福州阳光城茶室售楼中心YANGO FUZHOU SALES CENTER&TEAHOUSE建筑扩初+室内概念ARCHITECTURE SCHEMATIC&INTERIOR CONCEPT01 城市纪念物URBAN ARTIFACTS02 案例参考CASE STUDIES03 设计概念ARCHITECTURE04 室内概念INTERIOR CONCEPT2S A L E SC E N T E RURBAN ARTIFACTS城市纪念物013S A L E SC E N T E R如果使用考古学家的眼光来观察，我们将会在建筑的表面与遗迹背后发现我们文化中最 有价值的痕迹。“IF WE COULD2、 ONLY SEE WITH THE EYE OF THE ARCHAEOLOGIST.WE WOULD FIND BEHIND THE FACADES AND FRAGMENTS OF ARCHITECTURE THE FIGURES OF THE OLDEST HEROES OF OUR CULTURE.”-ALDO ROSSI(ITALIAN ARCHITECT,1931-1997)4S A L E SC E N T E R城市的属性THE GENERIC CITY5S A L E SC E N T E R现代福州MODERN FUZHOU6S A L E SC E N T E R历史城3、市THE HISTORICAL CITY7S A L E SC E N T E R历史福州HISTORICAL FUZHOU8S A L E SC E N T E R9“纪念性建筑以持久的物质方式存在于城市中，也具有永恒的象征意义。这座建筑的经 久不衰源自它构筑城市的历史与文化，存在与记忆的能量及包容度。”“A MONUMENT PERSISTS IN THE CITY BOTH SYMBOLICALLY AND PHYSICALLY.A MONUMENTS PERSISTENCE OR PERMANENCE IS A RESULT OF ITS CAPACITY TO CONSTITUTE 4、THE CITY,ITS HISTORY AND ART,ITS BEING AND MEMORY.”-ALDO ROSSI(ITALIAN ARCHITECT,1931-1997)永久性|临时性PERMANANCE|EPHEMERALITYS A L E SC E N T E R新方案THE HOUSED ARTIFACT10S A L E SC E N T E RCASE STUDIES案例参考0211S A L E SC E N T E R北京集美组 重庆云会CLOUD-GATHERING CLUBHOUSE,CHONGQING,BEIJING NEWSDAYS参考案例:售楼中心SALE5、S CENTER CASE STUDY:INTEGRATING AN OLD TEAHOUSES A L E SC E N T E RSKY LIGHTSKY LIGHTINTERIOR WALLTEAHOUSEGLASS FACADE12合肥北城中央公园文化艺术中心CULTURAL CENTER OF BEICHEN CENTRAL PARK,HEFEI,SHENZHEN HUAHUI DESIGN参考案例:售楼中心SALES CENTER CASE STUDY:JOURNEY TO AND FROM THE COURTYARDS A L E SC E N T E RCOURTYARDCOU6、RTYARDCORRIDORMASS1303ARCHITECTURE概念14S A L E SC E N T E R基地调研|福州SITE RESEARCH|FUZHOU中国CHINA福州FUZHOU鼓楼GULOU15S A L E SC E N T E R基地调研|老房子PROJECT CONDITION|INTEGRATE OLD HOUSE16S A L E SC E N T E R在传统茶文化中，从入口到茶室的路径往往会成为设计 中最重要的部分。经典的做法是，道路会从正门开始，最终将人引向茶室的侧门。IN THE CLASSIC ART OF THE TEA,THE PATH THAT7、 LEADS FROM THE ENTRANCE TO THE TEAROOM FORMS A FUNDAMENTAL DESIGN CONCEPT.TRADITIONALLY THE PATH WOULD LEAD FROM THE ENTRANCE THROUGH THE GATE AND EVENTUALLY TO THE SLIDING DOOR OF THE TEAHOUSE茶室的道路PATH TOWARDS THE TEAHOUSE17S A L E SC E N T E RTHE GARDEN AS ARCHITECTURE游程体会THE JOURNEY18S A L E SC 8、E N T E R阿尔多凡埃克的桑贝克公园经常作为纸建筑的 一个主要参考之一。它是一个用来检验图形与不可居住 空间之间的空间实验。通过六面平行的直墙作为引导，同时采用弯矩和断裂来创造成展览空间。THE SONSBEEK PAVILION BY ALDO VAN EYCK WAS A SPATIAL EXPERIMENT TO TEST THE RELATION BETWEEN THE DIAGRAM AND INHABITABLE SPACE.THE SUBJECT IS GUIDED THROUGH SIX PARALLEL STRAIGHT WALLS WHICH AT MOMENTS C9、URVE AND BREAK TO CREATE EXHIBITION SPACES.松斯贝克雕塑展厅SONSBEEK PAVILION19S A L E SC E N T E RSONSBEEK PAVILION|ALDO VAN EYCK墙体为建筑空间THE WALL AS SPACE20S A L E SC E N T E R概念图解CONCEPT DIAGRAMCARVED SPACES INTO A SOLID BASE体量切分形成实体底座21S A L E SC E N T E R意向图CARVED MASS22S A L E SC E N T E R概念图解CONCEPT DIA10、GRAMGIVING THE OLD TEAHOUSE A NEW ROOF给旧茶室一个新屋顶23S A L E SC E N T E R意向图ICONIC ROOF24S A L E SC E N T E R轴侧分析图AXONOMETRICCARVED BASE 实体底座COPPER MESH 铜网格RED CONCRETE ROOF 混凝土屋顶COPPER MESH 铜网格OLD STRUCTURE 旧结构25S A L E SC E N T E R主要调整MAJOR ADJUSTMENTSMAJOR ADJUSTMENTS1.BASEMENT LAYOUT REVISED FOR BET11、TER STRUCTURAL ALIGNMENT2.MAIN ENTRANCE MOVED TO SOUTH+SECONDARY SIDE ENTRANCE3.ARRIVAL EXPERIENCED IMPROVED4.CONSULTATION SEATING BY MODEL ADDED5.THEATRE SPACE MADE ENCLOSED6.DINING AREA RELOCATED TO 2F INSIDE OLD HOUSE7.WINE CELLAR STUDIES ADDED8.INCREASED OPENINGS主要调整1.调整地下一层平面布局，使得平面形式上下连贯，并增强入口12、的仪式感2.主入口移至南侧，新增东侧次入口3.地下1层和1层人口进行了调整，提升了入口仪式感4.模型区增加了供洽谈使用的座位组5.影视厅改为封闭式6.用餐区调整至2层（在老房子内）7.酒窖已按照酒庄概念更新8.增加了外立面的开孔/窗户26S A L E SC E N T E R外观EXTERIOR27S A L E SC E N T E RSCALE=1:250负1层平面图PLAN B112345691087871.ARRIVAL DESK2.ELEVATOR LOBBY3.WINE CELLAR4.SUNKEN GARDEN到达门厅 电梯厅 酒窖下沉花园5.PREP KITCHEN6.BAT13、HROOMS7.OFFICES8.MEETING ROOM备餐间/厨房 卫生间办公室 会议室9.STORAGE10.PARKING储藏室 停车场91028S A L E SC E N T E R23910108811127716451SCALE=1:2501层平面图PLAN L11.ENTRY2.RECEPTION3.LOUNGE4.BAR入口 接待区 休息室 吧台5.TEA AREA6.SCREENING7.VIP AREA8.ELEVATOR LOBBY茶室 影视厅VIP 包间 电梯厅9.MODEL SPACE10.CONSULTATION11.MULTI FUNCTION12.PRODU14、CT DISPLAY模型区 洽谈区 多功能室 产品展示29S A L E SC E N T E RSCALE=1:2502层平面图PLAN L21.STAIRS楼梯2.CONSULTATION AREA洽谈区3.PRIVATE DINING餐厅11332230S A L E SC E N T E R庭院COURTYARD31S A L E SC E N T E R南立面SOUTH ELEVATIONSCALE=1:25032S A L E SC E N T E R剖面图LONG SECTIONSCALE=1:25033S A L E SC E N T E R主要入口ARRIVAL34S A L15、 E SC E N T E R东立面EAST ELEVATIONSCALE=1:25035S A L E SC E N T E R剖面图SHORT SECTIONSCALE=1:25036S A L E SC E N T E R夜景图SIDEWALK AT NIGHT37S A L E SC E N T E R04INTERIOR CONCEPT室内概念38S A L E SC E N T E R现代性拒绝墙体作为结构的元素，而却接受“架空柱子”的灵活 性。阐述了巴塞罗那馆非承重墙的设计原则，密斯设计了柱网与 分隔墙相互独立的空间结构。MODERNITY REJECTED THE WALL A16、S A STRUCTURAL ELEMENT.FOR THE BARCELONA PAVILION MIES DESIGNED A SPATIAL CONFIGURATION IN WHICH THE COLUMN GRID AND THE ROOM DIVIDING WALLS FORM INDEPENDENT ELEMENTS.巴塞罗那馆|密斯凡德罗BARCELONA PAVILION|MIES VAN DER ROHE39S A L E SC E N T E RBARCELONA PAVILION|MIES VAN DER ROHE室内意向INTERIOR REFERENCE40S A 17、L E SC E N T E R概念图解CONCEPT DIAGRAMINSERTED OLD TEAHOUSE STRUCTURE WRAPPED IN COPPER MESH TO DEFINE SPACES AND ROUTE嵌入的旧茶室结构用铜网格包裹来定义空间和路线41S A L E SC E N T E R室内意向INTERIOR REFERENCE42S A L E SC E N T E R室内意向INTERIOR REFERENCE43S A L E SC E N T E R层模型区1F MODEL SPACE44S A L E SC E N T E R2层洽谈空间2F CON18、SULTATION AREA45S A L E SC E N T E R2层私用餐区2F PRIVATE DINING46S A L E SC E N T E RWINE CELLAR:(SECTION OR PERSPECTIVE)B1停车入口接待厅B1F ARRIVAL LOBBY47S A L E SC E N T E RB1层酒窖意向B1F WINE CELLAR REFERENCE48S A L E SC E N T E RB1层酒窖B1F WINE CELLAR49S A L E SC E N T E R安东尼德圣不求恒久远，只求意未尽。埃克苏佩里WE DONT ASK TO BE19、 ETERNAL BEINGS,WE ONLY ASK THAT THINGS DO NOT LOSE ALL THEIR MEANING.ANTOINE DE SAINT-EXUPERY50S A L E SC E N T E R1 Distribution Room#1 配电室2 Distribution Room#1 配电室Ring Circuit Room环网室Generator发电机房Property Office物业Commercial商业Centralized Commercial集中商业YangoFZ Teahouse MEP,Property,Commercial Space Requirements配电房，物业，商业要求May 22,2019Program功能Area(m2)面积Location位置Notes备注11431F2741F3601F4261F5441F63141F74811FTotal1142配电房,物业,商业 面积要求MEP,PROPERTY,COMMERCIAL AREA REQUIREMENTS51S A L E SC E N T E R